Sound isn’t just an afterthought to the moving image. In fact, some would argue that it is even more crucial than image, especially when setting a tone or emphasizing an emotional aspect. The best visuals in the world can be ruined with the wrong soundtrack, effects or a poor recording quality. For this reason, many editors will spend more time on finding that perfect soundtrack (or creating one), as well as adding audio flourishes when they enhance or help illuminate what is happening on screen. Even the smallest budget production can benefit from a dedicated sound professional, and I often recommend one as part of the production team. When the DP (Director of Photography) is monitoring the framing, lighting, camera movement and blocking of a scene, audio monitoring would tax even the sharpest among them.
Oftentimes in the more elaborate productions, audio elements will be added in post. These can range from the simple sound effects to complete dialog replacement. When done properly, they are completely seamless and the viewer can focus on the story, or message. The practices of ADR (Automated Dialog Replacement) and Foley (replacement sounds) are truly art forms, as illustrated in the video below.
So the next time your production company suggests an audio specialist, don’t think of it as an extra expense in the budget, think of it as essential in bringing out the best in your project.
SoundWorks Collection: Gary Hecker – Veteran Foley Artist from Michael Coleman on Vimeo.